Alla Sofonisba Anguissolas Oljemålningar
|
|
|
| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 29309 |
|
A Young Lady in Profile |
mk65
Oil on canvas
27x20 1/2"
|
| 70562 |
|
Bildnis eines Paares |
Medium Oil on canvas
Dimensions 72 ?? 65 cm
|
| 83159 |
|
Easel Painting a Devotional Panel |
Oil on canvas, 660 x 570 mm (26 x 22 1/2"). Muzeum-Zamek, Lancut, Poland.
Date 1556(1556)
cyf |
| 81734 |
|
Girl with a dwarf |
ca. 1595(1595)
Medium Oil
cyf |
| 78832 |
|
Girl with a dwarf, thought to be a portrait of Margarita of Savoy, daughter of the Duke and Duchess of Savoy |
Girl with a dwarf, thought to be a portrait of Margarita of Savoy, daughter of the Duke and Duchess of Savoy
Date ca. 1595(1595)
cjr |
| 79004 |
|
Infantas Isabella Clara Eugenia and Catalina Micaela |
Date 1570(1570)
Medium Oil
cyf |
| 80296 |
|
Infantas Isabella Clara Eugenia and Catalina Micaela |
1570(1570)
Medium Oil
cyf |
| 78067 |
|
Infantin Isabella Clara Eugenia |
1599(1599)
Oil on canvas
cjr |
| 80633 |
|
Infantin Isabella Clara Eugenia |
1599(1599)
Medium Oil on canvas
cyf |
| 53577 |
|
Phillip II Holding a rosary |
mk233
1573
Oil on canvas
88x72cm
|
| 77938 |
|
portrait |
Date ca. 1559(1559)
Medium Oil on wood
Dimensions 29.5 ?? 23 cm (11.6 ?? 9.1 in)
cyf |
| 81139 |
|
Portrait of Elisabeth of Valois |
1565(1565)
Medium Oil on canvas
Dimensions 205 x 123 cm (80.7 x 48.4 in)
cyf |
| 79627 |
|
Portrat des Philipp |
Oil on canvas
Dimensions 88 x 72 cm (34.6 x 28.3 in)
cyf |
| 79268 |
|
Selbstbildnis |
1550
Medium Oil on canvas
Dimensions 88,5 x 69 cm
cyf |
| 80047 |
|
Selbstbildnis |
c. 1550
Medium Oil on canvas
Dimensions 88,5 x 69 cm
cyf |
| 82951 |
|
Self ortrait |
Oil on canvas, 660 x 570 mm (26 x 22 1/2"). Muzeum-Zamek, Lancut, Poland.
Date 1556(1556)
cyf |
| 3261 |
|
Self Portrait |
|
| 82787 |
|
Self Portrait |
oil on canvas, 66x57cm
Date 1556/56
cyf |
| 56021 |
|
self portrait at the easel |
mk247
1556,oil on canvas,26x22 in,66x57 cm,muzeum zamek,tancut,poland |
| 76002 |
|
Self-portrait |
ca. 1559(1559)
Oil on wood
29.5 ?? 23 cm (11.6 ?? 9.1 in)
cjr |
| 26747 |
|
Self-Portrait as an Old Woman |
mk52
1610
Oil on canvas
96.5x76cm
Kunsthaus,Zurich
|
| 40376 |
|
Self-Portrait at the Easel |
mk156
1556
Oil on panel
66x57cm
|
| 93548 |
|
Self-portrait at the easel. |
1556(1556)
Medium oil on canvas
Dimensions 66 x 57 cm (26 x 22.4 in)
cjr |
| 30504 |
|
Self-Portrait at the Spinet |
mk68
Oil on wood
23"x19 1/2"
Naples
Capodimonte Museum
1559
Italy
|
| 26745 |
|
Self-Portrait Holding a Medallion with the Letters of her Father s Name, |
mk52
early1550s
Miniature
8.3x6.8cm
Museum of Fine Arts,Boston
|
| 26746 |
|
Sofonisba anguissola |
mk52
|
| 56022 |
|
the chess game |
mk247
1555,oil on canvas,28.375x38.128 in,72x97 cm,muzeum narodowe,poznan,poland |
|
|
| Sofonisba Anguissola
|
| Italian
1532-1625
Sofonisba Anguissola was born in Cremona, Lombardy around 1532, the oldest of seven children, six of whom were daughters. Her father, Amilcare Anguissola, was a member of the Genoese minor nobility. Sofonisba's mother, Bianca Ponzone, was also of an affluent family of noble background. Her mother died when Sofonisba was four or five.
Over four generations, the Anguissola family had a strong connection to ancient Carthaginian history and they named their offspring after the great general Hannibal, thus the first daughter was named after the tragic Carthaginian figure Sophonisba.
Amilcare Anguissola encouraged all of his daughters (Sofonisba, Elena, Lucia, Europa, Minerva and Anna Maria) to cultivate and perfect their talents. Four of the sisters (Elena, Lucia, Europa and Anna Maria) became painters, but Sofonisba was by far the most accomplished and renowned. Elena became a nun (Sofonisba painted a portrait of her) and had to quit painting. Both Anna Maria and Europa gave up art upon marrying, while Lucia Anguissola, the best painter of Sophonisba's sisters, died young. The other sister, Minerva, became a writer and Latin scholar. Asdrubale, Sophonisba's brother, studied music and Latin but not painting.
Self-portrait, 1554Her aristocratic father made sure that Sofonisba and her sisters received a well-rounded education that included the fine arts. Anguissola was fourteen years old when her father sent her with her sister Elena to study with Bernardino Campi, a respected portrait and religious painter of the Lombard school, also from Cremona, Sofonisba's home town. When Campi moved to another city, Sofonisba continued her studies with the painter Bernardino Gatti (known as Il Sojaro). Sofonisba's apprenticeship with local painters set a precedent for women to be accepted as students of art.[citation needed] Dates are uncertain, but Anguissola probably continued her studies under Gatti for about three years(1551-1553).
Sophonisba's most important early work is Bernardino Campi Painting Sofonisba Anguissola (c 1550 Pinacoteca Nazionale, Siena). The double portrait depicts her art teacher in the act of painting a portrait of her.
In 1554, at age twenty-two, Sofonisba traveled to Rome, where she spent her time sketching various scenes and people. While in Rome, she met Michelangelo through the help of another painter who knew her work well. Meeting Michelangelo was a great honor for Sofonisba and she had the benefit of being informally trained by the great master.
Lucia, Minerva and Europa Anguissola Playing Chess, 1555. Museum Navrodwe, Poznan, Poland.When he made a request for her to draw a weeping boy, Sofonisba drew 'Child bitten by a crab' and sent it back to Michelangelo, who immediately recognized her talent (this sketch would continue to be discussed and copied for the next fifty years among artists and the aristocracy)
Michelangelo subsequently gave Anguissola sketches from his notebooks to draw in her own style and offered advice on the results. For at least two years Sofonisba continued this informal study, receiving substantial guidance from Michelangelo.
|
|
|
|
|
Sweden Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors
|
|
|
